yellow magic orchestra
Prior to the group's formation, Sakamoto had been experimenting with electronic music equipment at the Tokyo National University of Fine Arts and Music, which he entered in 1970, including synthesizers such as the Buchla, Moog, and ARP. The principal members are Haruomi Hosono (bass), Yukihiro Takahashi (drums) and Ryuichi Sakamoto (keyboards). Noch heute kann man am Haarschnitt japanischer Geschäftsleute (Techno cut) erkennen, wie groß der Einfluss Yellow Magic Orchestras auf die japanische Modewelt war. In August 2009, the band played the World Happiness festival in Japan, featuring many Japanese artists. [48], The band also drew from a wider range of influences than had been employed by Kraftwerk. Jahrhunderts von ihnen maßgeblich mitbeeinflusst. Nach Erscheinen des Debüts Yellow Magic Orchestra trat die Band im Nachtclub Roppongi Pit Inn in Tokio auf, wo amerikanische Manager des Plattenlabels A&M Records auf sie aufmerksam wurden. 11,70 € Weiter. Yellow Magic Orchestra discography and songs: Music profile for Yellow Magic Orchestra, formed 1978. [19] The same year, Sakamoto released his own solo album, The Thousand Knives of Ryuichi Sakamoto, experimenting with a similar fusion between electronic music and traditional Japanese music in early 1978. [citation needed] Instead of traditional vocals, about half of it features field audio recordings and samples of authors and scientists reading their work. One of the album's major singles, and one of the band's biggest international hits, was "Behind the Mask", which YMO had first produced in 1978 for a Seiko quartz wristwatch commercial,[25] and then for Solid State Survivor with lyrics penned by Chris Mosdell. [45] Beyond electro acts, "Computer Game / Firecracker" was also sampled by a number of other later artists, including 2 Live Crew's "Mega-Mixx II" (1987),[73] De La Soul's "Funky Towel" (for the 1996 film Joe's Apartment),[95] Jennifer Lopez's worldwide hit "I'm Real" (2001), and the original unreleased version of Mariah Carey's "Loverboy" (2001). They also covered "Hello, Goodbye" and "Thank You (Falettinme Be Mice Elf Agin)". [39] In January 2011, KCRW announced for their World Festival concert series that Yellow Magic Orchestra will perform at the Hollywood Bowl on June 26, 2011. An der Welttournee 1979 war Gitarrist Kazumi Watanabe Pioneering Japanese synth-pop group second only to Kraftwerk in influence. 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Various cover versions of "Kimi ni Mune Kyun" (1983) have also been produced by other artists,[73] including The Human League in 1993 ("YMO Versus The Human League")[74] and Asako Toki in 2006. [citation needed] During their brief reunion in the early 1990s, they continued to experiment with new styles of electronic music, playing an instrumental role in the techno and acid house movements of the era.[37]. [77], The band has also been very influential in its homeland Japan, where they had become the most popular group during the late 1970s and 1980s. Their use of sequencing, drum programming and synths were put to very broad use, making very arty, technological, and sophisticated mechanical music. [97] They also inspired early ambient techno artists such as Tetsu Inoue,[98] and the classical music composer Joe Hisaishi. [23] The band was initially conceived as a one-off studio project by Hosono, the other two members being recruited session musicians—the idea was to produce an album fusing orientalist exotica with modern electronics, as a subversion of Orientalism and exoticization. Billboard is a subsidiary of Valence Media, LLC. Seite 1 von 1 Zum Anfang Seite 1 von 1 . From Wikipedia, the free encyclopedia (Redirected from Firecracker (Yellow Magic Orchestra song)) Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. [28], Their second album Solid State Survivor went on to sell over 2 million records worldwide. Die Mitglieder sind Haruomi Hosono (Bass), Yukihiro Takahashi (Schlagzeug) und Ryuichi Sakamoto (Keyboard). [55] The pace at which the band's music evolved has been acknowledged by critics. The song was later revised by Michael Jackson, who added new lyrics and had intended to include it in his album Thriller. [21][22], While Sakamoto was working on Thousand Knives, Hosono began formulating the idea of an instrumental disco band which could have the potential to reach success in non-Japanese-language territories, and invited Tasuo Hayashi of Tin Pan Alley and Hiroshi Sato of Uncle Buck as participants, but they declined. Hör dir Titel und Alben von Yellow Magic Orchestra an, unter anderem „Rydeen“, „Yellow Magic (Tong Poo)“, „Behind the Mask“ und viele mehr. The popular anime series Dragon Ball Z also paid homage to the band with the song "Solid State Scouter" as the theme song of the 1990 TV special Dragon Ball Z: Bardock – The Father of Goku. Find Yellow Magic Orchestra bio, music, credits, awards, & streaming links on AllMusic - Pioneering Japanese synth-pop group second only… The most popular international hit from the album was "Firecracker", which would be released as a single the following year and again as "Computer Game", which became a success in the United States and Europe. Yellow Magic Orchestra. [92] The 1980 release of "Riot in Lagos" was also listed by The Guardian in 2011 as one of the 50 key events in the history of dance music. [citation needed]. Yellow Magic Orchestra. [45], Technodelic (1981) was produced using the LMD-649, a PCM digital sampler that Toshiba-EMI sound engineer Kenji Murata custom-built for YMO. 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Yellow Magic OrchestraBGM (180g) Auf ihrem vierten Album, »BGM« von 1981, nahm das Yellow Magic Orchestra den Faden des Vorgängers »Xi Multiplies« wieder auf, begab sich tiefer in das Reich von Synthesizern und Drumcomputern und experime…. Track 2 on 'Yellow Magic Orchestra' (1978)Written by Martin DennyLYRICS:Instrumental-uploaded in HD at http://www.TunesToTube.com [3][33] The band was particularly popular with the emerging hip hop community, which appreciated the group's electronic sounds, and in the Bronx where "Firecracker" was a success and sampled in the famous Death Mix (1983) by Afrika Bambaataa. They were careful to avoid saying they had "split up", preferring to use the Japanese phrase meaning "spreading out" (散開, sankai), and the trio continued to play on each other's recordings and made guest appearances at live shows. [22] Hosono, Sakamoto and Takahashi eventually collaborated again to form the Yellow Magic Orchestra and they began recording their self-titled album at a Shibaura studio in July 1978. Track 3 on side one of Yellow Magic Orchestra’s fourth studio album BGM, released in 1981. [29] By 1980, YMO had become the most popular group in Japan, where they were performing to sold-out crowds. According to SF Weekly, YMO's musical timeline has gone from "zany exotica-disco spoofs" and "bleeps and blips" in the 1970s to "sensuous musique concrète perfected" in their 1983 albums Naughty Boys and Service. They helped pioneer synthpop, modern J-pop, techno, and house music. ist ein japanisches Musiktrio, das sich auf Elektropop spezialisiert hat. "[6], Other electronic equipment used by the group included the LMD-649 sampler (see Sampling above),[56] Roland MC-4 Microcomposer sequencer,[22] Pollard Syndrum electronic drums,[23] Roland VP-330 and Korg VC-10 vocoders,[23][22] Yamaha CS-80 and DX7 synthesizers,[67][22] Korg PS-3100 and PS-3300 synthesizers,[23][22] Moog III-C and Polymoog synthesizers, and ARP Odyssey, Oberheim 8 Voice and E-mu Emulator synthesizers. [73] In 2009, a cover of "Kimi ni Mune Kyun" was used as the ending theme song for the anime adaptation of Maria Holic, sung by Asami Sanada, Marina Inoue, and Yū Kobayashi, the voice actresses of the main characters. [66] As a result of such innovations, YMO were credited at the time for having "ushered in the age of the computer programmer as rock star. Read Full Biography. Making abundant use of new synthesizers, samplers, sequencers, drum machines, computers and digital recording technology as it became available, as well as utilizing cyberpunk-ish lyrics sung mostly in English, they extended their popularity and influence beyond Japan. Much of the methods and techniques developed by both Tomita and Matsutake during the early 1970s would later be employed by Yellow Magic Orchestra. 02. [4] YMO also popularized a style of live performance that eschewed human movement in favour of electronics such as rhythm boxes and samplers. [24] Following the release of the album Yellow Magic Orchestra, a live date at the Roppongi Pit Inn was seen by executives of A&M Records of the USA who were in the process of setting up a partnership deal with Alfa Records. [21][23] Roland called the MC-8 a "computer music composer" and it was the first stand-alone microprocessor-based music sequencer. Yellow Magic Orchestra - Samples, Covers and Remixes on WhoSampled. [23], The band has been described as "the original cyberpunks"[68] and their early work has been described as "proto-techno" music. Hosono holte daraufhin beide zur Fertigstellung seines Albums “Paraiso” ins Boot. Verfassen Sie jetzt einen Fan-Report und teilen Sie Ihre Eindrücke zu Yellow Magic Orchestra. [99], YMO also influenced many video game composers and significantly affected the sounds used in much of the chiptune and video game music produced during the 8-bit and 16-bit eras. "[45] Kraftwerk was particularly an influence on Sakamoto, who heard the band in the mid-1970s and later introduced them to his fellow band members. Recently performing live as Human Audio Sponge; Hosono, Sakamoto and Takahashi did a live performance together as Yellow Magic Orchestra for the Live Earth, Kyoto, event on July 7, 2007, which raised money and awareness of a "climate in crisis". [12] Yellow Magic Orchestra and Ryuichi Sakamoto's Thousand Knives were one of the earliest popular music albums to utilize the Roland MC-8 Microcomposer, which was programmed by Hideki Matsutake during recording sessions. [10] The group would release several albums before pausing their activity in 1984. In ihrer asiatischen Heimat genießen sie ein ähnliches Ansehen als Pioniere der elektronischen Musik wie etwa die Gruppe Kraftwerk in Europa und Nordamerika. [3][34] Meanwhile, in Japan, YMO remained the best-selling music act there up until 1982. Durch eine Werbekampagne mit Fujifilm löste die Gruppe einen Boom elektronischer Popmusik in Japan aus (dort Technopop genannt), vergleichbar mit jenem, den die Beatles und der Merseybeat in den 1960er Jahren in England auslösten. HASYMO played two live concerts in Europe in the summer of 2008, one at the Royal Festival Hall, London on June 15, as part of the Meltdown festival of music curated by Massive Attack and another in Gijón, Spain, on the 19th. ist ein japanisches Musiktrio, das sich auf Elektropop spezialisiert hat. Yellow Magic Orchestra is a hugely influential early Techno band that has been called the Japanese equivalent of Kraftwerk, while their influence inside their home country has been likened to The Beatles. In HMV Japan's list of top 100 Japanese musicians of all time, YMO were voted second place, behind only Southern All Stars, a pop-rock band who remain largely unknown outside Japan. This led to the YMO being offered an international deal, at which point (early 1979) the three members decided the group would be given priority over their solo careers. "[53], Their approach to sampling music was a precursor to the contemporary approach of constructing music by cutting fragments of sounds and looping them using computer technology. [31] X∞Multiplies was followed up with the 1981 album BGM. The band have reunited in 2007 for an advertising campaign for Kirin Lager which lampooned their longevity and charted No.1 on various Japanese digital download charts (including iTunes Store chart) with the song "Rydeen 79/07", released on Sakamoto's new label commmons. Ballet Songtext von Yellow Magic Orchestra mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf Songtexte.com [16] Afrika Bambaataa's influential song "Planet Rock" was partly inspired by YMO. Audio CD. Public Pressure. Wählen Sie aus erstklassigen Inhalten zum Thema Yellow Magic Orchestra in … Informationen zu Yellow Magic Orchestra (Japan) inkl. Genres: Synthpop, Electropop, City Pop. [100], 1978–1983: National and international success, 2002–present: Post-breakup and reformation, YMO – Rydeen 2 (2003 television interview), Tokyo National University of Fine Arts and Music, Learn how and when to remove this template message, Dragon Ball Z: Bardock – The Father of Goku, "Sakamoto hears music's sounds, not its styles", "Back to the future: Yellow Magic Orchestra helped usher in electronica – and they may just have invented hip-hop, too", Harry Hosono And The Yellow Magic Band – Paraiso, Ryuichi Sakamoto – Thousand Knives Of (CD), "Yellow Magic Orchestra: The Pre-MIDI Technology Behind Their Anthems", Yellow Magic Orchestra – Yellow Magic Orchestra, "Artists and producers strive for inroads overseas", "Behind the Mask – Michael Jackson's rarest recording? Although the primary YMO members (Yukihiro Takahashi, Haruomi Hosono, and Ryuichi Sakamoto) are effectively known as HASYMO and played both these concerts, these concerts were billed simply as "YMO" but featured only 4 YMO songs in each concert while the rest of the concert featured Sketch Show, HASYMO music and member's solo works. 04:57 Autor: Chris Mosdell / Komponisten: Yellow Magic Orchestra - Haruomi Hosono. At around the same time, the 1980 song "Riot in Lagos" by YMO member Sakamoto pioneered the beats and sounds of electro music. [31], The band was popular with the emerging hip hop community, which appreciated the group's new electronic sounds, and in the Bronx where "Firecracker" was a success and sampled in the famous Death Mix by Afrika Bambaataa. [62], At the time, Billboard noted that the use of such computer-based technology in conjunction with synthesizers allowed YMO to create new sounds that were not possible until then. Solid State Survivor. Computer Game "Theme from The … 1976 arbeitete Sakamoto zunächst mit Hosono in dessen Liveband, als Takahashi ihn 1977 zur Produktion seines Soloalbums rekrutierte. Im Jahr 1979 nahmen ‘Yellow Magic Orchestra’, das erste in der Geschichte der Popkultur festgehaltende Album mit Hilfe des damals ganz neuen ‘Roland MC-8 MicroComposer’ auf. innerhalb 1-2 Wochen. [91] The song was also later included in Playgroup's compilation album Kings of Electro (2007), alongside later electro classics such as Hashim's "Al-Nafyish" (1983). A&M wollte zu dieser Zeit eine Fusion mit Alfa Records in Tokio diskutieren. Kunden, die diesen Artikel angesehen haben, haben auch angesehen. An der Welttournee 1979 war Gitarrist Kazumi Watanabe als Gast beteiligt. Public Pressure. In 2015, in the anime Sound! Discover all Yellow Magic Orchestra's music connections, watch videos, listen to music, discuss and download. "[76], YMO are considered pioneers in the field of popular electronic music, and continue to be remixed or sampled by modern artists,[4] including experimental artist Yamantaka Eye, electronica group LFO, jungle band 4hero, electrolatino artist Senor Coconut, ambient house pioneers The Orb and 808 State,[11] electronic music groups Orbital[27] and The Human League,[74] hip hop pioneer Afrika Bambaataa,[3] and mainstream pop musicians such as Michael Jackson, Quincy Jones, Greg Phillinganes,[27] Eric Clapton, Mariah Carey, and Jennifer Lopez. Titled “ラップ現象” (Rap Genshou), the lyrics were co-written by Haruomi Hosono and Peter Barakan. They added classic songs from their back catalog into their set list. [26] Despite the approval of songwriter Sakamoto and lyricist Chris Mosdell, it was eventually removed from the album due to legal issues with YMO's management. They released the surprise global hit "Computer Game" in 1978, reaching the UK Top 20 and selling 400,000 copies in the US. On a number of occasions Ryuichi Sakamoto has joined in on Sketch Show performances and recording sessions.
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