The alto part is played on guitar [7:20], Guitar: Christopher Parkening, Cello: Douglas Davis, Cantate BWV 170: Mvt. Looking at the list of the soloists, most of them were unfamilto me, I have noticed that BWV 54 is sung by a Tenor singer, rather than the usual Alto. Reynier Guerrero & Amandine Beaulieu (Violins); Alix Boivert & Simon Pierre (Viola); Jean-Baptiste Valfré (Violoncello); Sarah Van Oudenhove (Violone), Recorded live at Eglise Réformée des Terreaux (Temple Lanterne), Lyon, France. : del J.S.B.".[9]. Praeludium & Fuga G-dur / G Major BWV 541 This is the prelude only BWV 541,1 composed by J.S. Cantata 56 was written for the 19th Sunday after Trinity in 1726 (October 27 that year). The final lines are arioso and illustrate in Sie ist als wie ein scharfes Schwert, das uns durch Leib und Seele fährt (It is like a sharp sword, that pierces through body and soul)[1] the movement of the sword by fast runs in the continuo. [4] The continuo, playing throughout, is not shown. In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, BWV 10, as part of his second cantata cycle.Taken from Martin Luther's German translation of the Magnificat canticle ("Meine Seele erhebt den Herren"), the title translates as "My soul magnifies the Lord". Recitative. The history of the composition is not clear. If the cantata was written early in Bach's (second) Weimar period, then perhaps the soloist could have been Adam Immanuel Weldig, the only falsettist in the Weimar court chapel in 1708 (the other five singers being a bass, two tenors and two teenage discantists). Bach. [12] The type of orchestra is roughly shown as a large group by red background, and as an ensemble playing period instruments in historically informed performance by green background. Sony Classical SS-89924 2. Sony CD (2002): Amazon.com Cantata BWV 56 Ich will den Kreuzstab gerne tragen. Buy this album at: [11] Gardiner describes the theme as "insinuating chromatic" and the "contorted counter-subject to portray the wily shackles of the devil".[3]. It is Bach's first extant church cantata for a solo voice. Bach wrote hundreds of pieces for organ, choir, as … CD+DVD: Amazon.de, J. S. Bach : Cantate BWV 54, Wiederstehe doch der Sünde. Bach [C-1], Aria for Alto (Mvt. 1) from Cantata BWV 54 [6:17], Recorded at Garnisonskirken, Copenhagen, Denmark. The text was published in a 1711 collection, dedicated to the Sunday Oculi. Emmanuel Music continues to perform cycles of large-scale and chamber works by Bach, Handel, Mozart, Schubert, Brahms, Debussy, Haydn, Schoenberg, Weill, Wolf, Medelssohn, and Schumann under Artistic Director Ryan Turner. Producer: Andreas Neubronner (Tritonus); Executive Producer: Jeremy Caulton; Recording Engineer: Markus Heiland (Tritonus). Chapter 66 BWV 54 Widerstehe doch der Sünde. The sortable listing is taken from the selection provided by Aryeh Oron on the Bach-Cantatas website. | Copyright Policy might have been the intended or actual first performer of "Widerstehe doch der Sünde", especially given its low range and tessitura compared with other alto solo writing by Bach such as Geist und Seele wird verwirret, BWV 35 or Vergnügte Ruh, beliebte Seelenlust, BWV 170. Widerstehe doch der Sünde (Just resist sin), BWV 54, is a church cantata by Johann Sebastian Bach.He composed the solo cantata for alto in Weimar between 1711 and 1714, and probably performed it on the seventh Sunday after Trinity, 15 July 1714.It is Bach's first extant church cantata for a solo voice. [10] The keys and time signatures are taken from Alfred Dürr, using the symbols for common time (4/4) and alla breve (2/2). Music Download: Amazon.com | Amazon.co.uk | Amazon.de, Bach-A.N. Giuliano Carmignola (Baroque Violin); Sony Classical SK-89924 The text of the short work was written by Georg Christian Lehms, for two arias and a connecting recitative. The duration is given as 14 minutes. 1), Aria for Alto (Mvt. View credits, reviews, tracks and shop for the 2000 CD release of Cantatas, Bwv 54-57 on Discogs. Il delirio fantastico [C-2], Cantata Widerstehe doch der Sünde, BWV 54: Mvt. è Cont. listeners to the need to 'stand firm against all sinning, or its poison will possess you'". [3] He was appointed concertmaster of the Weimar court capelle of the co-reigning dukes Wilhelm Ernst and Ernst August of Saxe-Weimar, on 2 March 1714. Bach. About 'Church Cantatas - BWV 54 Widerstehe doch der Sünde ' Artist: Bach, Johann Sebastian (sheet music) Born: 21 March 1685 , Eisenach Died: 28 July 1750 , Leipzig The Artist: One of the greatest composers of all time. As concertmaster, he assumed the principal responsibility for composing new works, specifically cantatas for the Schlosskirche (palace church), on a monthly schedule. The words "So zeigt sich nur ein leerer Schatten und übertünchtes Grab" (It shows itself as only an empty shadow and a whitewashed grave)[1] are expressed in "pale" harmonies. CD / TT: 72:49 From the project Cantates de Bach à Lyon. Sony CD (2002): Amazon.com | Amazon.co.uk | Amazon.de | ArkivMusic The topic is to resist sin, based on the Epistle of James. 1: Aria [5:43], Counter-tenor: Benno Schachtner Prelude and Fugue No. [4] Bach may have composed the cantata already before taking up regular cantata compositions in Weimar. KulturSPIEGEL CD: Amazon.com [4], While Dürr assumes that Bach first performed the cantata on 15 July 1714,[4] other scholars arrive at different dates. Buy this album at: [4], It is not clear what sort of alto singer (boy contralto? 1: Aria [5:43], The list of recordings was cby Aryeh Oron (March 2000 - August 2019) BWV 143: Lobe den Herrn, meine Seele (author uncertain) BWV 144: Nimm, was dein ist, und gehe hin; BWV 145: Ich lebe, mein Herze, zu deinem Ergötzen; BWV 146: Wir müssen durch viel Trübsal in das Reich Gottes eingehen Invention no. [4], The cantata, structured in three movements, is scored as chamber music for a solo alto voice, two violins (Vl), two violas (Va), and basso continuo (Bc). Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: International Music Score Library Project, https://en.wikipedia.org/w/index.php?title=Widerstehe_doch_der_Sünde,_BWV_54&oldid=990633654, Pages using infobox musical composition with unknown parameters, Articles with International Music Score Library Project links, Articles with German-language sources (de), Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 25 November 2020, at 16:49. John Eliot Gardiner and others assume Oculi that year which would make it the earliest cantata performed after the promotion. [3] Bach used the first aria again in his St Mark Passion. | Privacy Policy CD / TT: 72:49 My name is Iman de Zwarte. 3.0 out of 5 stars 1 rating. The cantata text relates to the epistle of both Sundays, but shows no connection to either Gospel. In the following table of the movements, the scoring follows the Neue Bach-Ausgabe. [4], The final aria "Wer Sünde tut, der ist vom Teufel" (He who sins is of the devil)[1] is again a da capo aria, but shows elements of a four-part fugue for the voice, the violins in unison, the violas in unison and the continuo. [4] The cantata is the first of four written for a single alto soloist, the others, all composed in 1726, being Geist und Seele wird verwirret, BWV 35, Vergnügte Ruh, beliebte Seelenlust, BWV 170, and Gott soll allein mein Herze haben, BWV 169, two of which also have texts by Lehms. The solo voice is accompanied by strings: two violin parts, two viola parts and continuo. BWV 141: Das ist je gewisslich wahr (by Georg Philipp Telemann) BWV 142: Uns ist ein Kind geboren (by Johann Kuhnau?) [3] The first line of movement 3 quotes 1 John 3:8. Producer: Konstantin. [PDF + MP3 (digital sound)] + Video - Horn and String quartet - Baroque * License : Public Domain - Widerstehe doch der Sünde (Just resist sin), BWV 54, is a church cantata by Johann Sebastian Bach. Cantata No. Tarkmann: Concerto after Cantata BWV 54, arranged for solo English horn & chamber orchestra [9:40], Recorded at St. Paul's Church, Deptford, London, England. From the project Cantates de Bach à Lyon. NB This is the fourth of a group of eight cantatas (150, 131, 143, 54, 132, 152, 161 and 158,) all known or believed to be early works. Emmanuel Music continues to perform cycles of large-scale and chamber works by Bach, Handel, Mozart, Schubert, Brahms, Debussy, Haydn, Schoenberg, Weill, Wolf, Medelssohn, and Schumann under Artistic Director Ryan Turner. 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Die Bach Kantate Vol. CD: Amazon.com | Amazon.co.uk | Amazon.de | Amazon.de Buy this album at: Also known as Bach's German Magnificat, the work follows his chorale cantata format. Vergnügte Ruh - Arien von J.S. Widerstehe doch der Sünde (Just resist sin),[1] BWV 54,[a] is a church cantata by Johann Sebastian Bach. See: Bach Arias - conducted by Andrea Marcon with Angelika Kirchschlager Listen on YouTube: 54, 'Widerstehe doch der Sünde,' BWV 54 (BC A51): No. The prescribed readings for the Sunday are from the Epistle to the Romans, "the wages of sin is death; but the gift of God is eternal life" (Romans 6:19–23), and from the Gospel of Mark, the feeding of the 4000 (Mark 8:1–9). Die Art verruchter Sünden 4 in D minor Bach-Werke-Verzeichnis 775 Johann Sebastian Bach Performed by Valery Lloyd-Watts He composed the solo cantata for alto in Weimar between 1711 and 1714, and probably performed it on the seventh Sunday after Trinity, 15 July 1714. Stand firm against sinning. Cantata BWV 170: Mvt. 1: Aria Widerstehe doch der Sünde [10:57], Mezzo-soprano: Helene Angelovska; Maja Kastratovich (Pipe Organ), Recorded & filmed at Daut Pashin Amam, Skopje, Macedonia. The text was written by Georg Christian Lehms for Oculi, the third Sunday in Lent, and published in 1711 in Gottgefälliges Kirchen-Opffer. 1: Aria Vergnügte Ruh, beliebte Seelenlust & Cantata BWV 54: Mvt. [6][7] However, Weldig's designation as "falsettist" may indicate that he was a soprano and not an alto. [8] The manuscript title page reads: "Cantata.à 2 Violini, 2 Viole, Alto, Solo, YouTube: May 22, 2011: Audio / TT: Recorded live at Eglise Réformée des Terreaux (Temple Lanterne), Lyon, France. The 5 th CD includes solo cantatas - BWV 169, BWV 54, BWV 82, and BWV 51. 1) from BWV 54, adapted to guitar & chamber orchestra by Patrick Ross. Buy this album at: The Bach-Werke-Verzeichnis (BWV; lit. [2], The recitative "Die Art verruchter Sünden" (The way of vile sins)[1] is secco, accompanied by the continuo. BWV 751 — In dulci jubilo BWV 752 — Jesu, der du meine Seele BWV 753 — Jesu, meine Freude (fragment) BWV 754 — Liebster Jesu, wir sind hier BWV 755 — Nun freut euch, lieben Christen BWV 756 — Nun ruhen alle Wälder BWV 757 — O Herre Gott, dein göttlich's Wort BWV 758-761 — Chorale Preludes; BWV 762 — Vater unser im Himmelreich Cantata BWV 54: Mvt. 1) from Cantata BWV 54 [8:50]. I'm a dutch organist and churchmusician living in Norway. 1: Aria & Cantata BWV 54: Mvt. An abbreviated version of that second edition, known as BWV 2a, was published in 1998. Sony CD (2002): Amazon.com | Amazon.co.uk | Amazon.de [12] The sortable table is based on the listing on the Bach Cantatas website. 43 (Cantatas BWV 54, 186, 107) Edition Bachakademie Vol. Sophia Preobrazhenskaya - mezzo-soprano sings Bach, Handel, Purcell (Collected Recordings Vol. Bach Cantatas BWV 54-57 Import J.S. Andreas Scholl, Markus MarklCollegium Vocale OrchestraPhilippe HerrewegheLabel: Harmonia Mundi [5], The Bach scholar Alfred Dürr suggested that Bach performed the cantata for the Seventh Sunday after Trinity of 1714. Weldig left Weimar in 1713[7] so could not have sung if the first performance was as late as 1714 as suggested by Dürr. [11] Dürr describes it as a call to resistance and compares it to the beginning of the recitative "Siehe, ich stehe vor der Tür", a call to be ready, in the cantata for Advent Nun komm, der Heiden Heiland, BWV 61, composed in 1714. Gardiner comments: "It is a deliberate shock tactic to rouse his adult male falsettist? Cantata BWV 54 Widerstehe doch der Sünde Discography - Part 5: Complete Recordings 1980-1989 < Complete Recordings 1970-1979: Complete Recordings 1990-1999 > The alto part is played on guitar [7:20], Guitar: Christopher Parkening, Cello: Douglas Davis, Cantate BWV 170: Mvt. Looking at the list of the soloists, most of them were unfamilto me, I have noticed that BWV 54 is sung by a Tenor singer, rather than the usual Alto. Reynier Guerrero & Amandine Beaulieu (Violins); Alix Boivert & Simon Pierre (Viola); Jean-Baptiste Valfré (Violoncello); Sarah Van Oudenhove (Violone), Recorded live at Eglise Réformée des Terreaux (Temple Lanterne), Lyon, France. : del J.S.B.".[9]. Praeludium & Fuga G-dur / G Major BWV 541 This is the prelude only BWV 541,1 composed by J.S. Cantata 56 was written for the 19th Sunday after Trinity in 1726 (October 27 that year). The final lines are arioso and illustrate in Sie ist als wie ein scharfes Schwert, das uns durch Leib und Seele fährt (It is like a sharp sword, that pierces through body and soul)[1] the movement of the sword by fast runs in the continuo. [4] The continuo, playing throughout, is not shown. In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, BWV 10, as part of his second cantata cycle.Taken from Martin Luther's German translation of the Magnificat canticle ("Meine Seele erhebt den Herren"), the title translates as "My soul magnifies the Lord". Recitative. The history of the composition is not clear. If the cantata was written early in Bach's (second) Weimar period, then perhaps the soloist could have been Adam Immanuel Weldig, the only falsettist in the Weimar court chapel in 1708 (the other five singers being a bass, two tenors and two teenage discantists). Bach. [12] The type of orchestra is roughly shown as a large group by red background, and as an ensemble playing period instruments in historically informed performance by green background. Sony Classical SS-89924 2. Sony CD (2002): Amazon.com Cantata BWV 56 Ich will den Kreuzstab gerne tragen. Buy this album at: [11] Gardiner describes the theme as "insinuating chromatic" and the "contorted counter-subject to portray the wily shackles of the devil".[3]. It is Bach's first extant church cantata for a solo voice. Bach wrote hundreds of pieces for organ, choir, as … CD+DVD: Amazon.de, J. S. Bach : Cantate BWV 54, Wiederstehe doch der Sünde. Bach [C-1], Aria for Alto (Mvt. 1) from Cantata BWV 54 [6:17], Recorded at Garnisonskirken, Copenhagen, Denmark. The text was published in a 1711 collection, dedicated to the Sunday Oculi. Emmanuel Music continues to perform cycles of large-scale and chamber works by Bach, Handel, Mozart, Schubert, Brahms, Debussy, Haydn, Schoenberg, Weill, Wolf, Medelssohn, and Schumann under Artistic Director Ryan Turner. Producer: Andreas Neubronner (Tritonus); Executive Producer: Jeremy Caulton; Recording Engineer: Markus Heiland (Tritonus). Chapter 66 BWV 54 Widerstehe doch der Sünde. The sortable listing is taken from the selection provided by Aryeh Oron on the Bach-Cantatas website. | Copyright Policy might have been the intended or actual first performer of "Widerstehe doch der Sünde", especially given its low range and tessitura compared with other alto solo writing by Bach such as Geist und Seele wird verwirret, BWV 35 or Vergnügte Ruh, beliebte Seelenlust, BWV 170. Widerstehe doch der Sünde (Just resist sin), BWV 54, is a church cantata by Johann Sebastian Bach.He composed the solo cantata for alto in Weimar between 1711 and 1714, and probably performed it on the seventh Sunday after Trinity, 15 July 1714.It is Bach's first extant church cantata for a solo voice. [10] The keys and time signatures are taken from Alfred Dürr, using the symbols for common time (4/4) and alla breve (2/2). Music Download: Amazon.com | Amazon.co.uk | Amazon.de, Bach-A.N. Giuliano Carmignola (Baroque Violin); Sony Classical SK-89924 The text of the short work was written by Georg Christian Lehms, for two arias and a connecting recitative. The duration is given as 14 minutes. 1), Aria for Alto (Mvt. View credits, reviews, tracks and shop for the 2000 CD release of Cantatas, Bwv 54-57 on Discogs. Il delirio fantastico [C-2], Cantata Widerstehe doch der Sünde, BWV 54: Mvt. è Cont. listeners to the need to 'stand firm against all sinning, or its poison will possess you'". [3] He was appointed concertmaster of the Weimar court capelle of the co-reigning dukes Wilhelm Ernst and Ernst August of Saxe-Weimar, on 2 March 1714. Bach. About 'Church Cantatas - BWV 54 Widerstehe doch der Sünde ' Artist: Bach, Johann Sebastian (sheet music) Born: 21 March 1685 , Eisenach Died: 28 July 1750 , Leipzig The Artist: One of the greatest composers of all time. As concertmaster, he assumed the principal responsibility for composing new works, specifically cantatas for the Schlosskirche (palace church), on a monthly schedule. The words "So zeigt sich nur ein leerer Schatten und übertünchtes Grab" (It shows itself as only an empty shadow and a whitewashed grave)[1] are expressed in "pale" harmonies. CD / TT: 72:49 From the project Cantates de Bach à Lyon. Sony CD (2002): Amazon.com | Amazon.co.uk | Amazon.de | ArkivMusic The topic is to resist sin, based on the Epistle of James. 1: Aria [5:43], Counter-tenor: Benno Schachtner Prelude and Fugue No. [4] Bach may have composed the cantata already before taking up regular cantata compositions in Weimar. KulturSPIEGEL CD: Amazon.com [4], While Dürr assumes that Bach first performed the cantata on 15 July 1714,[4] other scholars arrive at different dates. Buy this album at: [4], It is not clear what sort of alto singer (boy contralto? 1: Aria [5:43], The list of recordings was cby Aryeh Oron (March 2000 - August 2019) BWV 143: Lobe den Herrn, meine Seele (author uncertain) BWV 144: Nimm, was dein ist, und gehe hin; BWV 145: Ich lebe, mein Herze, zu deinem Ergötzen; BWV 146: Wir müssen durch viel Trübsal in das Reich Gottes eingehen Invention no. [4], The cantata, structured in three movements, is scored as chamber music for a solo alto voice, two violins (Vl), two violas (Va), and basso continuo (Bc). Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: International Music Score Library Project, https://en.wikipedia.org/w/index.php?title=Widerstehe_doch_der_Sünde,_BWV_54&oldid=990633654, Pages using infobox musical composition with unknown parameters, Articles with International Music Score Library Project links, Articles with German-language sources (de), Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 25 November 2020, at 16:49. John Eliot Gardiner and others assume Oculi that year which would make it the earliest cantata performed after the promotion. [3] Bach used the first aria again in his St Mark Passion. | Privacy Policy CD / TT: 72:49 My name is Iman de Zwarte. 3.0 out of 5 stars 1 rating. The cantata text relates to the epistle of both Sundays, but shows no connection to either Gospel. In the following table of the movements, the scoring follows the Neue Bach-Ausgabe. [4], The final aria "Wer Sünde tut, der ist vom Teufel" (He who sins is of the devil)[1] is again a da capo aria, but shows elements of a four-part fugue for the voice, the violins in unison, the violas in unison and the continuo. [4] The cantata is the first of four written for a single alto soloist, the others, all composed in 1726, being Geist und Seele wird verwirret, BWV 35, Vergnügte Ruh, beliebte Seelenlust, BWV 170, and Gott soll allein mein Herze haben, BWV 169, two of which also have texts by Lehms. The solo voice is accompanied by strings: two violin parts, two viola parts and continuo. BWV 141: Das ist je gewisslich wahr (by Georg Philipp Telemann) BWV 142: Uns ist ein Kind geboren (by Johann Kuhnau?) [3] The first line of movement 3 quotes 1 John 3:8. Producer: Konstantin. [PDF + MP3 (digital sound)] + Video - Horn and String quartet - Baroque * License : Public Domain - Widerstehe doch der Sünde (Just resist sin), BWV 54, is a church cantata by Johann Sebastian Bach. Cantata No. Tarkmann: Concerto after Cantata BWV 54, arranged for solo English horn & chamber orchestra [9:40], Recorded at St. Paul's Church, Deptford, London, England. From the project Cantates de Bach à Lyon. NB This is the fourth of a group of eight cantatas (150, 131, 143, 54, 132, 152, 161 and 158,) all known or believed to be early works. Emmanuel Music continues to perform cycles of large-scale and chamber works by Bach, Handel, Mozart, Schubert, Brahms, Debussy, Haydn, Schoenberg, Weill, Wolf, Medelssohn, and Schumann under Artistic Director Ryan Turner.

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